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Trails of Cold Steel 3 doesn't offer much in the way of gameplay innovations, but if you're even glancing in the direction of this game, you're not interested in new ideas. No, you're interested in continuing the dramatic, twisty-turny story of the Erebonian Empire's shenanigans. Trails of Cold Steel 3 resumes the series' magic-infused story of politics and scandal, and the unique battle system still holds up well.

Concrete Genie is certainly easy on the eyes and ears, with brilliant colors popping out of the screen and a light, airy score to coaxe life out of your paintings. It even successfully switches around the perspective of a strained parent-child relationship compared to what we've seen in other games. Unfortunately the monotonous nature of everything in between creating Genies, from dodging bullies to dousing Denska with Super Paint, drags it down.

Destiny 2: Shadowkeep is the same satisfying Destiny 2 you've been playing (or not playing) all along. The combat feels good, the art direction's stunning, the lore is mysterious in all the right ways. But it also fumbles in a lot of areas: its campaign is among Destiny's weakest, there isn't a lot of new loot, and its newly introduced systems are so convoluted that I found myself wishing there was a tutorial buried in a menu somewhere.

John Wick Hex has a solid enough foundation, but it largely fails to build on its core concept. It's a one-dimensional tactics game that moves at a glacially slow pace and features few unique wrinkles. It offers a slightly deeper look at the lore, but otherwise it adds little to the burgeoning John Wick-verse.

Ghost Recon Breakpoint is a game that wants to evolve, but has trouble picking a direction. There's an extensive amount of loot, but that can get in the way of player choice in terms of specific playstyle. Equipping loot to keep up your gear score is needed to fight drone enemies, but most human enemies can be killed with a headshot, making it useless at the same time. The survival system is a selling point, but it can be largely ignored. Breakpoint needed a real direction, because what's left is just Wildlands 2.0. And doing the same thing has less impact years later.

Indivisible's unique blend of platforming and action-heavy monster fights will take some getting used to, but everything feels good once it clicks into place. Indivisible has some problems with its camera and map, but you'll be too busy marveling at its wonderful graphics to feel much of a sting.

The Surge 2 is a better game than its predecessor in many ways, and shouldn’t be overlooked in a growing crowd of soulslikes. Pathfinding can still be a bit vague like its predecessor, but the dense environments are fun to explore and complement its weighty combat and robust gear upgrade system. Deck 13 polished what made the first Surge a decent B-tier game and doubled down on what it's good at, showing us how a good developer can learn and evolve from release to release.

FIFA 20 revives the old Street series with a new mode featuring futsal and outdoor soccer, but it's the core gameplay that shines brightest this year, bringing down the pace in a way that feels nuanced and enjoyable. With additional updates to Career Mode and FIFA Ultimate Team, this year's version is easy to recommend to lapsed fans and newcomers alike.

Untitled Goose Game is a game about being a bully, but an adorable one. As a pesky goose, you honk, waddle, and drive human beings nuts—I assume as real-life geese do. The occasional frustrating task barely holds back Untitled Goose Game when it's at its best: where you're setting up elaborate (or not) situations to annoy people and ruin their day.

The Legend of Zelda: Link's Awakening remake for the Switch improves most of the flaws from the original game while maintaining (or enhancing) everything that makes Link's Game Boy adventure a classic. Its shiny new coat of paint suits it well, even if slowdown issues pop up from time to time. A few hours of play is all it takes to remind you why Zelda fans love Link's Awakening so very much.