IGN

A fantastical setting and solid story can't disguise the fact that Assassin's Creed Valhalla: Dawn of Ragnarok has us running through the same motions as the main game a year and a half later.

In many ways, Babylon’s Fall feels like the generic store brand of more famous games that came before. The combat is competent, but not engaging and prone to degrading into repetitive button mashing as you trudge through linear level after linear level. Like nearly all action-RPGs its perpetual treadmill of increasing your power to take on greater challenges keeps the campaign afloat, but here it’s bare bones and rarely does it offer a twist to make progression compelling. Hints of a distinctive art style are wasted on drab environments and ugly character models. Ultimately, Babylon’s Fall just isn’t good. It’s not terrible or broken, it just “is,” and does little to justify investing your time into it.

Grid Legends é uma ode às origens da franquia, com TOCA, e dá-nos um modo História surpreendentemente interessante, que nos prepara para o caos multi-classe que o resto do jogo tem guardado.

Babylon's Fall is een flinke teleurstelling die je beter links kunt laten liggen.

Aztech Forgotten Gods è purtroppo un'occasione sprecata, a causa di una trama limitata e di un gameplay che manca di varietà e profondità.

Un'evoluzione troppo timida del gioco precedente: praticamente un'occasione mancata per Yoko Taro.

Platinum Games loupe le coche en enchainant les ratés sur Babylon’s Fall. Des idées intéressantes ? Il en a, mais le liant n’est pas le bon rendant l’expérience globale décevante. Un nouveau game as service au destin funeste.

Un gioco piacevolissimo da vedere e da leggere, ostacolato da alcune imperfezioni che lo rendono un po' troppo lento e farraginoso nella sua progressione.

Une très belle aventure contemplative, au gameplay simple et intuitif.

Martha is Dead is ondanks flink wat technische problemen toch de moeite waard om te spelen.