Destructoid

What it all comes down to is that it's hard to be down on a game like SiNKR 2. It so effortlessly executes its central premise that thinking up any negatives would mostly be nitpicking. Maybe you don't like minimalist puzzles games or just aren't big on mobile titles, but that doesn't make SiNKR 2 bad. In fact, I'd go so far as to say the price makes this a no-brainer purchase for even the most discerning individuals.Do yourself a favor and check out SiNKR 2. You're bound to find something you can enjoy here.

It's a small price to pay for low-stakes arcade open world antics. Shakedown: Hawaii might play similarly to Retro City Rampage, but it takes place in a markedly different world. It's more than enough to warrant giving both games a shot, and a worthy successor to a now-seven-year-old adventure.

In the end, Zanki Zero: Last Beginning is a credible and entertaining adventure, but its potential to stand alongside its developers' best works is hampered by its systems and story's inability to come together and elevate the experience beyond the sum of its parts.

My complaints with Mechstermination Force are straightforward because that's really what the game is, a boss rush shoot-fest. If the stars align and you can find someone who really enjoys 2D shooters, give the game a go: even its fleeting joy is worth the entry ticket. Hell, it's worth it if you go alone, so long as your expectations are in check.

There is far more I can say about how much I love this game, including the audial delight that is Ludowic and Bill Kiley's soundtrack or VHS visual tricks the game employs as the narrative grows more fractured, but at this point, I've already gushed enough. It can be frustrating at times. It made me want to break my Switch in half. But even in its most aggressively exasperating moments, Katana Zero remains bleak, beautiful, bloody, and brilliant.

Imperator: Rome feels like it's yet another step in Paradox's attempts to make the perfect grand strategy game. It pulls bits from Paradox's storied past in the genre and adopts it for the ancient era. Because of this, it doesn't feel like past releases where the game does one thing fantastically and falters in the rest of the mechanics but instead refines past mechanics into a marble bust of megalomaniacal fun. Ave Imperator: Rome!

Days Gone ups the open world survival ante but doesn't have enough cash to pay for the rest of the rounds of betting, making it one of the weirdest AAA releases in recent memory. If enough people buy it, its stronger moments will likely be immortalized in YouTube videos for years to come. Yet, most people will probably remember it as the open world zombie game that didn't bring much mechanically to the table. With some tweaks to the pacing, it could have reconciled its warm, frank look at humanity and been something special.

With improved visuals, overhauled mechanics and exciting strategic potential, MK 11 offers a brilliant fighting experience. Unfortunately, the overall fun is bogged down with miserable modern-day business practices that frequently pump the brakes on your enjoyment. The Fight is the thing, however, and as long as the fists are flying, then Mortal Kombat 11 packs a helluva punch.

The thing is, I would have played SteamWorld Quest for 40 hours, flaws and all. It's brief in more ways than one but charming as hell. I hope Image & Form continues to make games and, to go one step further, never stops creating SteamWorld experiences.

This leaves us with Anno 1800, a refined city-building game with a delectably savory approach to logistics optimization, a lovely core aesthetic, and a time-devouring rhythm. For me, that's worth the cost of a historical anachronism or two.