Destructoid

I have no doubt that this is going to be — and in many cases likely already is — a runaway 2024 favorite for many. It didn’t quite land there for me, personally, but I won’t soon forget the satisfaction of a deft parry and the shrieks of those who sacrificed themselves throughout Christian’s harrowing journey. Hell, I may even dive back in and see how it holds up to a return trip, just not anytime too soon; the wounds are still fresh.

Overall, Stellar Blade is a journey worth experiencing. If you’re a fan of games with a unique and compelling narrative, Stellar Blade has fired on all cylinders in that regard. While there are some flaws along the way, it’s nothing too detrimental to ruin the overall experience or make it any less worthwhile. I feel like with some improvements in certain areas, Stellar Blade could be a legendary landmark experience like those it clearly draws inspiration from. But even in its current form, Stellar Blade offers a fast-paced action combat system in a unique world with a rewarding narrative. It’s not quite stellar, but it’s certainly solid. Solid Blade.

That being said, it’s still an enjoyable journey and adds plenty of playtime thanks to the multitude of cinematics, lengthy main story, and generous helping of sidequests. The Rising Tide is definitely a step up from the meager offerings of the boss rush mode that was Echoes of the Fallen. If you’ve been looking for a reason to return to Valisthea, this is it.

Regardless of what caused the project to get derailed, it still means that Phantom Fury is a disappointing result. It’s a mash of ‘00s FPS cliches without reprieve. I spent most of its runtime wishing it was over. Or, at least, wishing it was what it promised to be. Its overall blandness has done the impossible and made me appreciate Duke Nukem Forever just a little bit more.

It’s a beautiful game, an essential game, and the groundwork for what I hope becomes a franchise that takes those things in life some of us have been taught to bottle up and presents them front and center.

Life Eater feels like an experiment that neither fizzled nor exploded. All the parts are there, but they don’t fit together quite right. Something is missing, and before that something was located, it was released into the wild as-is. Because it can’t find its effectiveness, the central concept that should be so compelling and disturbing is just kind of fluffy. If an apathetic detachment from ritual sacrifice was what Life Eater was aiming for, then it nailed it. Unfortunately.

Whether you are a history nut or an action RPG lover, Rise of the Ronin should be your next choice in a game. You’ll have fun dicing up your enemies while learning about Japan’s rich culture. It’s the perfect combination of the two, and I hope to see more entries like this to dive more into historical content.

What I mainly took away from Yellow Taxi Goes Vroom is that its creators had a lot of fun crafting it. There’s a lot of love poured into it, and it shows in all the small ways it goes the unnecessary extra mile. It’s surprisingly polished, even if there is the odd frustrating moment of fighting with the physics. It just feels like a complete, uncompromised package that succeeds in what it sets out to do.

Death Noodle Delivery is sympathetic, but it has no answers for you. It may remind you that you’re not alone in your struggles, but rarely have I found that sentiment to be helpful. Instead, we can only be like Jimmy and hope that by continuing to put one foot in front of the other, we’ll eventually get somewhere better. At least there are noodles to comfort us in the meantime.

Felix the Cat is a decent game. It’s rather routine. It’s slightly above average. But it’s not a passionless title with no value. On top of that, it’s a quality port. So, even if you come in with only an appreciation for the NES, the character, or Shimada Kikaku (for some reason), then you won’t be disappointed. Limited Run Games didn’t recover a hidden gem, but it gave an old cat another life.