Destructoid

Its satirical storytelling and corporate spin on sci-fi mesh quite well with the open-ended approach to gameplay that allows players to define their own assassin. The litany of weird gadgets (like a cat who detects nearby enemy assassins) and colorful characters keep everything fresh and unpredictable right up until the end. This spin on Tokyo is breathtaking to view and full of memorable moments, all of which are worth dying over and over for.

I was pleasantly surprised with Tekken 7, and will be keeping up with the meta and pro scene for the first time in years. While Harada and his crew could have easily given us a little more to do long term other than chase more treasure, it doesn't feel like grinding in the slightest given how fun it is to play.

If A New Frontier is a sort of mission statement for this franchise going forward, does it succeed in making me want another season of The Walking Dead? I know I don't want the Season Four they're selling (which is set up in a manner that makes me think Telltale is threatening me personally) but if we're looking at this season by itself, as a whole the character work in A New Frontier does a lot to make up for the finale's shortcomings.

Astro Duel Deluxe is easily the least impressive game visually on the console, does little to nothing to show off your fancy new tech, and it isn't all that fun for more than half an hour at a time. I will say it has a decent soundtrack -- not "$15 for short bursts of gameplay" decent -- but pretty good.

In the end, isn’t that exactly what Danger Zone should be? It may be short, but it is ever so sweet. Hopefully we can see more of this, either with a full-on sequel or some DLC, because it’s been too damn long since we’ve had a proper Burnout game. Arcade racers need a comeback and Danger Zone would be a perfect reigning champion.

Emily is Away Too is basically the first game expanded beyond a simple gimmick. It may not be the best piece of interactive fiction ever created, but quality-of-life changes to the original formula make the journey feel more personal for individual players. The multiple endings really seal the deal, meaning you’re in for heartbreak or everlasting love.

Platinum didn't create a captivating narrative with Vanquish, but it serves as a showcase of some of their best pure action work. If you haven't had a chance to give it a shot yet you might as well with the definitive version on PC.

In the end, I didn't feel like I'd gained any insight into what it was like to be blind but instead had just heard a collection of ghost stories while walking around in the dark. Maybe I was expecting too much from Perception, but it doesn't deliver on any of its promises. It isn't fun, it isn't scary, it isn't insightful, and the narrative is mediocre at best if not disconnected and a bit offensive.

I was really torn on Rime until I got caught up in its emotional ending, capped off by a fantastic unexpected chapter select reveal. I really saw what Tequila Works was trying to do by the time the curtain closed and it ended up spurring another partial playthrough in the process. Even during its most underwhelming moments Rime got a response out of me, and I'll remember it for years to come.

The DLC songs cost more than they do in the console counterparts and can only be played on guitar, so those who don’t typically play guitar like me may not have a long-term interest in the product. The experience is wonderful and I am excited to introduce others to it, but its lasting appeal is a hard sell, especially for those who can simply jump over to traditional Rock Band and play any other instrument.