Destructoid

Little Dragons Café is the type of game I walk away from feeling more hopeful in the world. Each chapter ends on such an earnest note that it raises my spirits. Sure, it doesn’t have the deepest mechanics, and it’s not the most polished title I’ll play this year. But it has a soul and a kind heart that uplifts the basic gameplay to a place that makes Little Dragons Café an easy recommendation to anyone looking for a soupcon of positivity in their life.

It's problem isn't even that it's poorly made, or that it's built on a faulty premise. Indeed, I feel bad to be ambivalent about this game, because it sounded cool on paper. It just misses the balance, leaning too heavily on the side of frustration, with too little to show for all the hard work a player could put in. Really, when I realized playing it was work and I felt relieved to end a session, that's when I knew I ought to just stop playing for good.

Not once during my playthrough of Guacamelee 2 did I feel bored or look at the clock, and once I was done, I felt compelled to hunt down everything I'd missed. It's yet another triumph for DrinkBox and they probably have at least one or two more of these in them.

I'm the most intrigued I've been to date with World of Warcraft's storyline. The enemy isn't clear yet, and the breadcrumbs spread throughout the two campaigns are set. Battle for Azeroth isn't my favorite expansion but it's definitely up there.

It kept me engaged and having fun throughout, apart from when I was skipping dialogue trees as quickly as possible to preserve my own sanity. It’s a great blobber despite a dull story, and was fun enough to warrant hitting the “skip” button several thousand times in order to get back into the action.

I'm intrigued to see where the story goes from here, as well as what final fate lies in store for Clementine and AJ. But now the season's setup has been established, it's time to get down to the business of stressful character drama, humourous conversational retorts, and that all-too-nagging feeling that, ultimately, you have minimal control over everything anyway.

We Happy Few is unique. It features gorgeous environments, great music, twisted humor, and a magnetic story. It deserves praise for those aesthetics. But the game is what matters, and it is lackluster in that regard, with bad combat, mundane stealth, and endless, frivolous mechanics. By choosing the fastidious "micro-management" path, We Happy Few distracts far too much from its true potential as a dystopian gaming classic. And that's the biggest downer of all.

Despite my complaints with the game, it’s still a hugely enjoyable time. The background characters are what make this world worth visiting. Whether it’s a dentist who wishes he had drills for arms, a seagull that likes to poop on people, or a would-be super villain that obsessively pokes things with his finger, Flipping Death offers plenty of laughs.

If you enjoyed the original or skipped it purely because you needed online multiplayer support, Overcooked 2 should be a no-brainer. While the sequel runs the risk of being slightly too familiar and lacks any big surprises, it's still a winning formula. Co-op gaming doesn't get much better than this.

State of Anarchy: Master of Mayhem is a decent twin-stick shooter that more or less works in function and fun, but has many setbacks that prevent it from being anything other than a middling affair. It's certainly not a bad way to get some light arcade action, but you'll hardly feel like you've mastered any mayhem by the end.