PS3
Killer is Dead
7.47
playscore
Average
662nd of 1270
Trailer, Gameplay, & Screenshots
Buy now
About this game
Developer: Grasshopper Manufacture
Content Rating: Mature
Summary
Killer Is Dead is the latest title from the demented mind of celebrated game creator, SUDA51, serving as a spiritual successor to his previous cult favorites, No More Heroes and Killer 7. Stylish cell-shaded visuals set the mood in this gritty, bloody, ultra-violent world where biomechanical augmentations increase the power of criminals and "executioners" alike. Mondo Zappa, a newly recruited executioner, hunts criminals wielding a Japanese sword in his right hand, and the crushing power of biomechanical engineering in his left.
Gamer Reviews
591 Reviews8.28
Aggregate Gamer Reviews
This game has not been reviewed. Be the first to review it!
Critic Reviews
18 Reviews6.66
When compared to combat in games like DmC and Metal Gear Rising, Killer is Dead comes out feeling uninspired and underwhelming. The past few years have supplied us with more competent action games, more fully realized and stylish worlds, and much more interesting forays into marrying video games with mature sexual themes. Killer is Dead contains a handful of good ideas that are sadly marred by a wealth of technical flaws, tonal inconsistencies, and an offensively juvenile attitude toward sexuality.
As much as the Gigolo mode detracts from Killer Is Dead, like much of Grasshopper's fare there's something to be enjoyed underneath the dirt, and at least this time it's optional. Put that to one side if you can, and Killer Is Dead is a return to form. Its combat is neat if still a bit limited, and its dark direction and weird narrative a bit tainted by self-indulgence, but this is still a Grasshopper grindhouse romp worth most of its issues. The danger, I guess, will always be one drink too many.
Truth be told, there's little here that makes Killer Is Dead relevant, unless you have a voyeuristic curiosity about Japanese games and culture: it simply can't hold its own against its far more entertaining contemporaries. It's too immature, too confusing, and far too unrefined to be anything more than a strange, mildly amusing distraction.